Giselle - A Chronicle Of Forgiveness, Love And Tragedy

By Haywood Hunter


As the story of Hamlet is to the theater, Giselle is to ballet. Historically significant, audiences see it time after time to experience its interpretation by new generations of ballerinas. Each time, they vow that they have seen something different that they had not picked up on before at a previous viewing.



A unique take on the love triangle, the ballet is about a young, beautiful peasant girl who dies of a broken heart after learning that the wealthy nobleman, Albrecht, with whom she has fallen head over heels in love, is actually engaged to marry someone else. Hilarion, a gamekeeper who is in love with Giselle, is found agonizing at her grave by a band of ghosts. These are the spirits of young women who sadly died before their wedding days. They come out of their graves at night to seek out men whom they the torture to death.

The customary method of torture used by the Wilis, as the spirits were known, was to attract young men and force them to dance until they died. In the case of the gamekeeper, they chase him and then hurl him to his death in a lake. When they turn their attention to the cheating nobleman, the spirit of the peasant girl protects him from their evil magic until day breaks, when they return to their graves. Her two-timing lover is forgiven and Giselle returns to her grave to rest in peace.

First presented in Paris at Salle le Peletier in June 1841, it appeared in London at Her Majesty's Theatre in March 1842. It went on to be presented in Russia, Italy and the United States. It is now a film in 3D.

The role is a coveted one for young ballerinas. It requires grace and acting skills and is also demanding technically. Dramatist Theophile Gautier wrote it especially for his girlfriend, Carlotta Grisi. It has since been portrayed by Anna Pavlova, Svetlana Zakharova, Alicia Markova and many other accomplished ballet dancers.

It was Henrich Heine' tale of the Wilis that inspired Gautier, who imagined it as a ballet. He worked with the composer, Adolphe Adam and Jules Perot, choreographer.




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